Showing posts with label Lord Shiva. Show all posts
Showing posts with label Lord Shiva. Show all posts

Tuesday, 7 February 2012

Sri Kalahastheeswarar









KALAHASTI is a town in the Chittoor District of Andhra Pradesh. It has a temple dedicated to Lord Siva, and is famous throughout India as a sacred place and a place of pilgrimage. This religious centre, which is situated between two steep hills, called Sripuram and Mummidicholapuram, is said to have formed part of Seshasaila or Mount Meru, in the ancient days.

Kalahasti is situated near the pilgrimage town of Tirupati and is visited by thousands of pilgrims. Kalahasti temple is also associated with Rahu and Ketu, (of the nine grahams or celestial bodies in the Indian astrological scheme).

Historical Reference

The historical reference to this temple occur in the works of Nakkeerar, a Tamil poet in 3rd Century BC during the Tamil Sangam Dynasty. He called it as Southern Kailash.Nakkeera composed hundred stanzas to praise Srikalahasteeswara.

The hill adjacent to temple has still carvings in Pallava style. The Cholas renovated the old Pallava temple in 11th century. Kulottunga Chola I constructed the Galigopuram, the main entrance facing south and Kulottunga Chola III constructed few other temples. In 12th Century A.D., King Veeranarasimha Yadavaraya built the present Prakaras, and the four Gopurams connecting the four entrances.

According an inscription of Krishnadevaraya of Vijayanagara empire dating back to 1516 A.D., he constructed the Hundred Pillared Mantapam and the other tall Galigopuram that faces west to east. In 1529 A.D., King Achutaraya of the Vijayanagara empire got his coronation performed here, before he celebrated in his capital City.


The Legend

Lord Shiva disguised as Vayu (Air) observed that The Spider (SRI), Cobra (KALA) and Elephant (HASTI) worshipped Him very devotedly. So Lord Shiva made them to relieve from the curse and attain salvation, hence this place is called Srikalahasti. Many more Tamil Saivite saints like Sambandar, Appar, Manikkavasagar, Sundaramurti, Pattinathar and Sri Ramalinga Swami of Vadalur have also visited this place

The name of the place comes from three animals, Sri (spider), Kala (snake) and Hasti (elephant) who worshipped Shiva and gained salvation here. A statue that shows all three animals is situated in the main shrine.
The legend here is similar to that of the Jambukeswara temple at Tiruvanaikka. Shiva is said to have given salvation to a spider, elephant and a serpent who were ardent devotees of the Shiva Lingam located here. The spider is said to have attained salvation in Kritayuga (the first of the four yugas in the Hindu tradition), while the elephant and the snake were devotees in Treta Yugam, the succeeding aeon. The elephant's devotional outpouring was a source of disturbance to the serpent's display of devotion and vice versa, resulting in animosity between the two, until Shiva's intervention gave both the devotees their liberation.

Kannappa Nayanaar, a hunter is said to have been a great devotee of Kalahasteeswarar. Legend has it that he offered his own eyes to the Shivalingam, and for this reason earned the name Kannappan (his original name being Thinnan), and the distinction of having his statue adorn the sanctum. Nakkiradevar, Indra, Rama, Muchukunda and others are believed to have worshipped Shiva at this temple.


The Skanda Purana, Shiva Purana and Linga Purnas have a mention about Srikalahasti. The Skanda Purana says that Arjuna visited this place, worshipped Kalahastiswara and met the sage Bharadwaja on the top of the hill. It is believed that Kannappa (also known as Bhakta Kannappa), a tribal devotee has worshipped Siva at Srikalahasti. Tamil saints Nayanars like Appar , Sundarar and Sambanthar praised the deity in their hyms tevaram.
Brahma, the Hindu God of creation, is said to have worshipped Lord Shiva and bathed in the swarnamukhi river to get rid of "sisuhathya patakam" (the sin of killing children).
The river Swarnamukhi got its name from a belief that gold was found in its stream. Swarna means gold and Swarnamukhi means gold faced in Sanskrit.

Architecture: The huge west facing Kalahastiswara temple is built adjoining a hill, and on the banks of the river Swarnamukhi. At some points, the hill serves as the wall of the temple. The temple prakarams go after the contour of the adjoining hill and hence the temple plan is rather irregular. North of the temple is the Durgambika hill, south is the Kannappar hill and east is the Kumaraswamy hill.

Krishnadevaraya built a huge gopuram, a few feet away from the entrance to the temple. The entrance to the temple is crowned with a smaller tower. There is an underground Ganapati called Pathala Vinayagar, shrine in the outer prakaram, while in the innermost prakaram are the shrines of Shiva and Parvati.

The present structure of the temple is a foundation of the Cholas of the 10th century, as testified by inscriptions; improvements and additions were made during the subsequent years of the Chola rulers of Tamilnadu and the Vijayanagar emperors.

Significance: This ancient temple dedicated to Shiva is one of the Pancha Bhoota Stalams (temples celebrating Shiva as the embodiment of the primary elements), air being the element in case here, the other five temples being Tiruvannamalai (Fire), Chidambaram (Space),Tiruvanaikkaval (Water) and Kanchipuram (Earth) respectively.

Festivals: Maha Shivaratri which occurs in the Tamil month of Maasi (Feb 15 through March 15) is one of the greatest festival seasons here, and the celebrations are marked by processions of the deities. The fifth day of the festival in the month of Maasi coincides with the Maha Shivaratri.


Om Namah Shivaya !

Monday, 22 August 2011

A song from Thiruvasagam ( Sacred Utterance ) on Lord Shiva

 

A great video presentation, showing the worship in ancient Dravidan Age. The song is again a wonderful composition by Illayaraja on a hymn from Thiruvasagam, a great work by ancient scholar Manichavasagar, sung in praise of Lord Shiva

-- Abirami Varma

For those who want the lyrics ..


பூவார் சென்னி மன்னன்னெம் புயங்கப் பெருமான் | சிறியோமை
ஓவா துள்ளம் கலந்துணர்வாய் உருக்கும் வெள்ளக் கருணையினால் (2)
ஆவா என்னப் பட்டன் பாய் ஆட்பட் டீர்வந் தொருப்படுமின்
போவோங் காலம் வந்ததுகாண் பொய்விட் டுடையான் கழல்புகவே


புகவே வேண்டா புலன்களில்நீர் புயங்கப் பெருமான் பூங்கழல்கள் |
மிகவே நினைமின் மிக்க எல்லாம் வேண்டா போக விடுமின்கள் (2)
நகவே ஞாலத் துட்புகுந்து நாயனைய நமையாண்ட |
தகவே யுடையான் தனைச்சாரத் தளரா திருப்பார் தாந்தாமே |


தாமே தமக்குச் சுற்றமும் தாமே தமக்கு விதிவகையும் |
யாமார் எமதார் பாசம் யார் என்னமாயம் மாயம் இவைபோகக் |
கோமான் பண்டைத் தொண்டரொடும் அவன்தன் குறிப்பே குறிக்கொண்டு |
போமா றமைமின் பொய்நீக்கப் புயங்கன் ஆள்வான் பொன்னடிக்கே |
புயங்கன் ஆள்வான் பொன்னடிக்கே |


அடியார் ஆனீர் எல்லீரும் அகல விடுமின் விளையாட்டை |
கடிசே ரடியே வந்தடைந்து கடைக்கொண் டிருமின் திருக்குறிப்பை |
செடிசே ருடலை செலநீக்கிச் | சிவலோகத்தே நமைவைப்பான் |
பொடிசேர் மேளிப் புயங்கன்தன் பூவார் கழற்கே புகவிடுமே |


விடுமின் வெகுளி வேட்கைநோய் மிகவோர் காலம் இனியில்லை |
உடையான் அடிக்கீழ்ப் பெருஞ்சாத்தோடு உடன்போ வதற்கே ஒருப் படுமின் |
அடைவோம் நாம்போய்ச் சிவபுரத்துள் அடியார் கதவ டையாமே |
அடைவோம் நாம்போய்ச் சிவபுரத்துள் அடியார் கதவ டையாமே |
புடைபட்டுருகிப் போற்றுவோம் புயங்கன் ஆள்வான் புகழ்களையே


நிற்பார் நிற்கநில் லாவுலகில் நில்லோம் இனிநாம் செல்வோமே |
பொற்பால் ஒப்பாந் திருமேனிப் புயங்கன் ஆள்வான் பொன்னடிக்கே |
நிற்பீர் எல்லாந் தாழாதே நிற்கும் பரிசே ஒருப்படுமின் |
பிற்பால் நின்று பேழ்கணித்தாற் | பெறுதற் கரியன் பெருமானே
பெறுதற் கரியன் பெருமானே |

பூவார் சென்னி மன்னனெம் புயங்கப் பெருமான் | சிறியோமை
ஓவா துள்ளம் கலந்துணர்வாய் | உருக்கும் வெள்ளக் கருணையினால் |
ஆவா என்னப் பட்டன் பாய் ஆட்பட் டீர்வந் தொருப்படுமின் |
போவோங் காலம் வந்ததுகாண் பொய்விட் டுடையான் கழல்புகவே |
போவோங் காலம் வந்ததுகாண் பொய்விட் டுடையான் கழல்புகவே |
பொய்விட் டுடையான் கழல்புகவே ……


( People who are keen to know the meaning of this song - kindly look for Poovar Senni Mannan - Song of Thiruvasagam )



                                                                             ----  Abirami


Lord Meenakshi Sundareswarar - Madurai


 
 
 


Lord Shiva as Lord Sundareswarar

As the ancient scripts says , Lord Sundareswarar ( Lord Shiva ) meaning handsome, married his consort Meenakshi Devi ( Goddess parvati ) at Madurai – city of temples, in Tamilnadu. This temple design and layout is believed to be drawn by lord Shiva himself.

It is a historic temple, forming the lifeline of 2500 year old city – Madurai. The beauty of the temple towers can be seen aerially , which are so magnificent and stands tall for the praise of ancient architecture. Overall 14 Gopurams / temple towers are seen, including the two golden Gopurams for the main deities. All literatures have praised and sang the glories of these temple towers and the way it decorates the temple and the deities.

Legend

Goddess Parvati was born as Meenakshi, to the second Pandya King, Malayadwaja Pandya and his wife Kanchanamalai as a boon to their prayers. But this birth is different, the goddess appeared herself as a small girl from the Yagna that was performed. But everyone were shocked admist happiness, as she had three breasts. But at the same time, the heard an Oracle, that the third breast would vanish, when she meets her future husband. She was trained on all 64 shastras. She was a great warrior. She conquered all the worlds. Her parents found it difficult to find a suitable bridegroom for their victorious daughter. But Meenakshi consoled her parents, saying she will travel across the world and find the right person for her. When she came to Mount Kailash, and saw Lord Shiva, she immediately fell into shyness, and her third breast vanished. She also realized that she was an incarnation of Goddess Parvati.

The marriage was supposed to be the biggest gathering on earth, with gods, saints, rishis, and people travelling from all three worlds. The wedding lock – Thirumangalyam was specially made from the south town of Madurai. This Meenakshi Kalyanam is an important festival is celebrated in April every year.

Lord Shiva is said to have played many of his Thiruvillayadal ( Divine Plays )  in Madurai, and at this temple. The Porthamarai Kullam – Pond with a golden lotus, is a holy site for devotees, which is inside this temple. No marine animals are grown here as per the word of Lord Shiva. It is suppose to be a place for judging literature, where the poorly written works will sink and the scholastic ones are suppose to float.

Thousand Pillar Hall

Another attraction at this temple, is the 1000 carved pillars, which is of great cultural importance is maintained by the Archeological Society of India.

Each pillar is carved and is a monument of the Dravidian sculpture. There is a Temple Art Museum in the hall where icons, photographs, drawings, and other exhibits of the 1600 years old history are displayed. Just outside this mandapam, towards the west, are the Musical Pillars. Each pillar, when struck, produces a different musical note. The kalyana mandapa, to the south of the pillared hall, is where the marriage of Shiva and Parvati is celebrated every year during the Chithirai Festival in mid-April.
The temple is the geographic and ritual center of the ancient city of Madurai. The temple walls, streets and finally the city walls (ancient) were built around the temple in concentric squares. Ancient Tamil classics mention that the temple was the center of the city and the streets happened to be radiating out like the lotus and its petals. It is one of the few temples in Tamil Nadu to have four entrances facing four directions.
Temple is a massive structure measuring 254 by 237 meters. The temple is surrounded by 12 towers, the tallest of which, the famous Southern tower, rises to over 170 ft (52 m) high.

Shrines

This temple is a complex of many deities. The Shiva shrine lies at the centre of the complex, suggesting that the ritual dominance of the goddess developed later. Outside the Shrine, lies huge sculpture of Ganesh carved of single stone and there is a shrine for a giant Ganesh temple, called the Mukuruny Vinayakar. This deity is believed to have been found during an excavation process to dig the temple lake.
The Meenkashi shrine is on the left of the Shiva shrine and is prayed devotees who throng each day from all parts of the world. It is believed to be in sculpted in greens stone ( emerald )

There is also a Vibuthi Pillaiyar, who is decorated or rather bathed in ashes by every devotee, a belief that he needs to be prayed in that way, for all the prayers to be answered.

It is not only a visual treat for ancient architect seekers, but a great admiration that is won by every devotee who visit this temple. It seriously raises many questions, as to how this temple was built in such a sprawling acres of land, with majestic towers in four directions, and the whole layout enfolds as lotus petals, with 1000 pillars surrounding, and with a golden pond, and the most important of all the whole city of Madurai just surrounding it. It shows the true presence of divine powers during the Pandya king rule, and the way their devotion led to such historic value and treasure. It’s a true evidence that stands tall, that Lord Shiva have given his devotees, whose greatness is still composed after thousands of years by scholars around the world. 

                                                                      - Abirami